Jin Lee: Artistic vibes Virtuoso

Jin Lee Artistic vibes Virtuoso Bridging Engineering and Artistry: Jin Lee’s Kinetic Explorations of Unpredictability, Structure, and Randomness In contemporary art, Jin Lee emerges as a distinctive figure, merging his engineering acumen with the profound expressiveness of kinetic art. His academic journey spans continents, with formative years at Berlin Art University and Musashino Art University in Japan, culminating in advanced degrees from the Berlin University of the Arts. Lee’s latest exhibition, “Beyond Line,” held at Diskurs Berlin in 2024, delves into motion and unpredictability. The exhibition title hints at his innovative use of ‘Lines’ to challenge conventional boundaries, whether tangible threads cutting through space or intangible laser beams delineating translucent barriers. His work is a testament to the power of digital media, employing computer algorithms and electronic components to craft interactive experiences. Lee’s artistic narrative consistently explores the tension between structure and randomness, probing the limits of predictability and control. “Beyond Line” showcases three seminal works that illustrate this theme, beginning with “Emergence Boundaries,” a kinetic spectacle that welcomes visitors into a realm of evolving interactivity. At the heart of the exhibition, “24 Lines” presents a captivating dance of lines, each following its path yet collectively crafting a symphony of order and chaos. This piece exemplifies Lee’s ability to blend simplicity and complexity, creating a mesmerizing visual rhythm. The exhibition concludes with “Luminal Section,” a collaborative piece with Gabriel Kleber that merges visual and auditory elements. Here, laser beams and sound waves create an enthralling environment, exemplifying Lee’s skill in marrying technology with artistic expression. This segment emphasizes the fusion of light, sound, and motion, offering a glimpse into Lee’s exploration of art’s multidimensional possibilities. Through “Beyond Line,” Jin Lee invites audiences to traverse the frontiers of kinetic art, where the synergy of technology and creative vision unveils new horizons of experience. His work is not merely a display of artistic innovation but an invitation to witness the unfolding dialogue between artist, machine, and observer. Jung Me Chai   © Artists & UTimes Berlin

Nina E. Schönefeld: Artistic vibes Virtuoso

Nina E. Schönefeld Artistic vibes Virtuoso Breaking Boundaries: The Provocative World of Nina E. Schönefeld Emerging from Berlin with a unique Polish-German background, Nina E. Schönefeld has made a significant mark in contemporary art. Her educational path, which includes rigorous training at the Berlin University of the Arts and illustrious stints at Central Saint Martins and the Royal College of Art in London, has endowed her with a rich array of artistic skills. This varied education enables Schönefeld to craft complex narratives across her dynamic range of artworks. But Schönefeld’s identity extends beyond her role as an artist. She’s also a respected academic and a vibrant participant in Berlin’s art community, demonstrated by her co-founding of “Last Night In Berlin,” a project that highlights the city’s art scene. Her advanced degrees, a Master of Arts and a doctorate in art theory, further attest to her deep-rooted connection to and understanding of the arts. In her 2023 solo exhibition “FUCK THE SYSTEM” at Diskurs Berlin, Nina E. Schönefeld invites the audience into a bold and immersive realm where art becomes a medium for challenging societal norms. This show is a reflection of Schönefeld’s dedication to addressing pressing contemporary issues, showcasing her adeptness at blending various artistic mediums. Through installations, video art, sculptures, and conceptual pieces, she creates a dynamic environment that encourages viewers to engage in a critical dialogue with the structures that govern our society. This exhibition is a display of artistic prowess and a call to action, urging participants to reflect on and question the status quo, exemplifying Schönefeld’s role as a provocateur and visionary in the art world. In particular, her work “The Fourth Estate” delves into the interplay between activism and journalism, set against the rise of global right-wing populism. It’s a poignant exploration of the current political climate, offering insights and sparking conversations about the role of art in societal discourse. Schönefeld’s creations are not mere visual treats; they are profound commentaries on the world we inhabit, urging us to ponder, question, and perhaps even alter our perspectives. Her art mirrors society, reflecting its complexities, challenges, and the ever-present potential for change. Through her innovative and thought-provoking works, Schönefeld invites us to envision a future where art is not only a form of expression but a catalyst for societal transformation. Jung Me Chai

Dawn Woolley: Artistic vibes Virtuoso

Dawn Woolley Artistic vibes Virtuoso Dawn Woolley, an artist and research fellow at Leeds Arts University, presents “Rebel Selves” at Diskurs Berlin from 27.04. to 02.06.2023. She explores contemporary consumerism and the construction of gendered bodies through photography, performance, sculpture, painting, and video. Appropriating the visual language of popular culture, Woolley critically examines gender representations in social media selfies. Woolley’s feminist critique of gender representations in media and consumer culture aligns with the theme of “Joy & Revolution.” Her diverse artistic repertoire includes performance, photography, video, and installation, which challenge gender representations. Still-life pieces like “Pacifier” and “Hysterical Selfies” portray the ageing body through commodification, exposing stereotypes. Through self-tracking practices and health ideology, Woolley highlights the inequality inherent in notions of personal responsibility. https://www.discursus.info/ https://www.dawnwoolley.com/ Share it! Instagram Share Button Instagram

Jin Lee – Beyond Line

http://utimes.berlin/storage/2024/03/UL-BL-Video-01.mp4 Jin Lee – Beyond Line Sound contribution: Gabriel Kleber   15.03.2024 – 12.04.2024   Opening  Thursday, 14.03.2024, 6 – 9 pm   Location DISKURS BerlinNovalisstraße 710115 Berlin info@discursus.infowww.discursus.info Facebook Instagram A Fusion of Motion and the Unpredictability of Lines in Kinetic Art “Beyond Line”, Jin Lee’s latest solo exhibition in Berlin, presents a series of new, captivating kinetic art installations that explore the dynamic relationship between movement and unpredictability. This exhibition encourages visitors to delve into the depths of kinetic art and challenges them to rethink its boundaries and definitions that it can transcend. This exhibition celebrates movement, unpredictability, and the blurred lines between motion and stillness, sound and silence. Lee’s unique approach brings to life three-dimensional patterns within the exhibition space, utilizing moving lines and lasers to challenge and redefine conventional perceptions of space. “Beyond Line” features three innovative works by Lee, each illustrating the delicate balance between dynamic energy and tranquil moments. The front space of the exhibition is alive with moving lines, creating an engaging environment that draws visitors into a state of continuous change. At the centre of this kinetic journey is “24 Lines,” a pivotal piece where each line embarks on its trajectory, interlacing harmony with discord and serving as a conduit between the energetic front space and the technological marvels in the rear. The rear space of the exhibition introduces visitors to a fusion of laser-generated visuals and soundscapes by Gabriel Kleber. Here, Lee’s mastery of technology shines through as lasers and algorithms collaborate to produce unforeseen patterns and auditory experiences. This integration of movement, precision, and sound, grounded in the XYZ axis, comprehensively explores the intersections between art and technology. “Beyond Line” is an in-depth exploration of the essence of kinetic art. Lee’s inventive use of lines, machinery, and programming ventures into the territories of the unforeseen and artist and machine self-generated. It invites the artist and viewers to explore the boundless possibilities that arise when technology and sensory perception converge. “Beyond Line” invites all to delve into the unseen and reconsider the vast expanses beyond art’s visible boundaries. – Jung Me Chai Educated at Berlin Art University and Musashino Art University in Tokyo, Jin Lee skillfully integrates Eastern and Western art forms. His installations, recognized by accolades such as the ZER01NE Creative Grant, have captivated audiences from Seoul to Weimar, often themed around order, chaos, and uncertainty. Gabriel Kleber is a Basel-based composer and sound artist. In addition to building installations and electronic instruments, he writes music for contemporary dance, theatre and experimental films. His works have been presented all over Europe, including Germany, Switzerland, Russia, and Belgium. In 2023, he was composer-in-residence at the EMS in Stockholm and received a research grant from the Swiss government for his work on experimental musical instruments.

Hara Shin: Artistic vibes Virtuoso

Hara Shin Artistic vibes Virtuoso Hara Shin: Breaking Boundaries through Art Step into the captivating world of Berlin-based multimedia artist Hara Shin as she challenges conventional hierarchies between technology, nature, and humanity. Through her film and multimedia installations, Shin explores the fluid relationship between the natural and artificial, the human and non-human, unveiling the intricate layers of reality. Shin’s art knows no boundaries, reconstructing alternative experiences and sensory perceptions in virtual and physical spaces. Using mediums such as VR, web, spoken word, graphics, and installation, her artwork exposes avatars, fragmented identities, and displaced realities. Gender roles, education, stereotypes, technology, climate change, and personal identities all undergo her incisive scrutiny. In her exhibition, she reconstructs perspectives, defying the colonized associations between technology, nature, and humanity and sparking contemplation on isolation and coexistence. With a fusion of materials, nature, organs, and agents, Shin’s art transcends limitations, reshaping our perception of space and time. Interconnected micro-narratives emerge, forming a tapestry that defies conventions. This exhibition invites you to question established links, offering a fresh understanding of the dynamic relationship between technology, nature, and humanity. Embark on a journey of fluidity and self-reflection as Hara Shin’s art challenges and reshapes your perception of the world.   https://shinhara.net/ Share it! Instagram Share Button Instagram

Warren Neidich: Artistic vibes Virtuoso

Warren Neidich Artistic vibes Virtuoso Warren Neidich, an American artist based in New York City and Berlin, creates thought-provoking conceptual works exploring the intersections of art, science, and cognitive justice. Through written texts, neon light sculptures, paintings, and photographs, Neidich’s works offer a cross-pollination of ideas. As the founder and director of the Saas-Fee Summer Institute of Art, Neidich actively promotes “Cognitive Justice in Cognitive Capitalism.” This summer, the institute will delve into this theme in collaboration with The Brooklyn Rail and Residency Unlimited. Neidich’s impressive exhibition history includes prestigious venues such as the Venice Biennale, Whitney Museum of American Art, and P.S.1 MOMA, with shows across museums and galleries worldwide. His impactful work has garnered extensive media attention, with over 150 magazine and newspaper articles dedicated to his art. Neidich has received notable awards, including the Stiftung Kunstfonds NEUSTART KULTUR (2020 and 2021), Hauptstadtkulturfonds (2021), and Katalogförderung des Berliner Senats (2017).   Share it! Instagram Share Button Instagram

Li Zhenhua: Artistic vibes Curator

Li Zhenhua Atistic vibes Curator Li Zhenhua, born in 1975, is a renowned figure in the art world, actively contributing since 1996. Presently working from Zurich, Berlin, and Hong Kong, he has immersed himself in various dimensions of the art scene, including exhibition planning, artistic creation, and project management. As a curator for Art Basel Hong Kong since 2014, Zhenhua has played a significant part in one of the most esteemed art fairs globally, bringing together contemporary art from top galleries worldwide. His expertise in showcasing diverse artworks underlines his influence and reputation in the art community. Another notable contribution by Zhenhua was as an international advisor for the “Digital Revolution” exhibition at the Barbican Centre in the UK in 2014. This innovative exhibition delved into the relationship between digital technology and various creative fields like art, design, film, music, and video games, demonstrating Zhenhua’s forward-thinking approach to integrating technology with art. Zhenhua’s commitment to film, particularly since 2000, highlights his dedication to promoting directors and documentaries. His involvement in producing significant films and active participation in the China Independent Image Exhibition since 2004 underlines his commitment to the cinematic arts. His directorial roles across various international film festivals and art events further evidence his diverse skills and global impact on the art scene. His publications, such as Zeng Zhe’s “She is in a Different Place, Floating in Clothes,” showcase his curatorial expertise and deep understanding of contemporary art. Zhenhua’s contributions have earned him prestigious accolades, including the “Curator of the Year” from the Art Power List and the Russian Innovation Prize, underscoring his significant impact on contemporary art. These achievements, as well as his diverse roles and global presence, firmly establish Li Zhenhua as a key figure in shaping the modern art landscape. Li Zhenhua

Works of the Haupt Collection

Dora Tass: Holo$, 2017, holographische Emulsion, laminiert in Glas / analoges Hologramm, 30 × 45 cm, © Dora Tass · Foto: Hermann Büchner Cover Stiftung&Sponsoring 05.23 © ESV https://www.sammlung-haupt.de/ Works of the Haupt Collection Works of the collection presented in the magazine Stiftung & Sponsoring,Issue 05.23: Dora Tass: Holo$ (2017) Extraordinary is the glass object by the artist Dora Tass, who was born in Rome and works there as well as in Santa Fe, New Mexico, USA. Unlike some of the light objects in the collection of the Haupt Collection, which specializes in art on the subject of money – for example, by Mathieu Mercier, Sergej Alexander Dott, and Virginie Mossé – the effect of this holographic light artwork unfolds in active use.At first glance, Holo$ looks (only) like a drawing on a dark background under extremely thick glazing. However, this impression lasts only until light rays from a spotlight fall on the wall-hanging object from above at an angle and bring its surface to actual life. The initially restrained colorfulness now unfolds in intense brilliance and luminosity. Depending on the viewer’s angle of vision, the collage-like elements – including, significantly, a torn $1 bill – emerge more or less far from the surface into the room and open up the third dimension.The secret lies in the glass plate in front of them, which is a generous 1 cm thick.This impression becomes even more perceptible when the viewer finds the work unlit, interactively uses the quasi-staff flashlight belonging to the work – which certainly corresponds to the artist’s intentions – and through the variation of lighting and viewing angle, as it were, puts the objects spatially ‘in motion’.   In collaboration with the American artist August Muth, a protagonist of modern holographic light art (who in his own work, however, is emphatically abstract), Dora Tass has created a series of analog Dora Tass has realized a series of analog holographic light works since 2006, including the Typewriter subjects represented in exhibitions – first in the Italian pavilion at the 54th Venice Biennale – and at auctions, as well as several other works on the theme of money. by Hermann Büchner, Berlin

Your Tails on Your Heads

Previous Next © Artists & UTimes Your Tails on Your Heads   Location  DISKURS Berlin   Novalisstraße 7, 10115 Berlin   Website www.discursus.info   Opening Thu., 09.11, 6 – 9 pm   Duration 10.11 – 01.12.2023    Artists Jessica Arseneau, Juan Pablo Gaviria Bedoya, Heyon Han,  Leniko Sennoma, Bea Targosz, I-Chieh Tsai, Lisa Wintermantel   Curator Hara Shin   Live performance: I-Chieh Tsai  Thu., 09.11, 7 pm Can you imagine yourself with a tail on top of your head, or can you imagine yourself with just a head and a tail? We take for granted things we involuntarily accept as truth, such as notions, history, science, stereotypes, and social order – all of which are defined by the mainstream. This is often different from the truth. “Me,” “my body,” “my thoughts,” and “everything around me” can’t be simply categorized as true or false or defined by a single point of view. Heads and tails are furthest from the centre of the body, yet they can still intersect, traversing understandings of reality and the periphery based on pluralism. The seven artists in the exhibition “Your Tails on Your Heads” strive to move beyond the visible aspects of anthropocentric perspectives that originated from notions of dominant centres to embrace intangible possibilities, ideas, and phenomena. The artists present new perspectives on the familiar physical world through various mediums, including performance, video, installation, and sound. They allow audiences to see into the lives of non-human beings: animals, nature, the universe, socio-political structures, capitalism, and hierarchies. At the same time, it allows them to immerse themselves in the experience of becoming a multidimensional being. Jessica Arseneau‘s exploration of light and darkness, both artificial and natural, manifests itself in video projection installations accompanied by sound, texts, lights, and photographs. Her installations utilize the atmospheric nature of the exhibition space and acquire a temporality of their own. Her light installation “Orange, Blue!“ 2022 oscillates between blue and orange in slow transitions to white. The cool tones of a Martian sunset contrast with the warm tones of an Earth sunset. It is also spectra of light that have opposing effects on the rhythms of biological beings. She intervenes in the natural circadian rhythm. jessarseneau.github.io  Juan Pablo Gaviria Bedoya‘s artistic practice explores intra-tropical phenomenology and questions notions of geographical hegemony, simultaneously penetrating multiple intersections of audiovisual language, performance, and writing. His performance piece “Como los soles“, 2023, whose title includes the double entendre of being like the suns and eating the suns, is presented in this exhibition as an installation that includes wall drawings. Through metaphors and paradoxes, he reveals a multi-layered scenario of a thermokinetic understanding of the tropics, a region located at the center of the map but historically perceived as the periphery. juanpablogaviria.xyz  Heyon Han‘s research and studio practice are assembled into installations that function as models of our cultural studies belief systems, where contemporary desires and oppression become physical. Han’s work “Proof of Mother”, 2021, a project that proposes a cultural methodology for realizing anti-capitalist desires, is presented as a reconfigured installation in this exhibition. From her observations of the process of overcoming situations and problem-solutions in didactic fables that sometimes follow cruel but rational laws, she approached the term mother as the only concept that overcomes the cruelty of capitalism and decommodifies the bodily object. heyonhan.com  Working with installation and film, Leniko Sennoma creates aggressive yet gentle hypnotic environments with audiovisual and metaphorical materials and language. In their installation “Society Of The Snake“, 2019, they envision the snake as a symbol of society’s control that defenceless and threatening materiality gradually wraps around and tightens around individuality and freedom. The insidious practice that purports to be liberating but actually stifles freedom replaces anxiety about an uncertain future with a plausible visible security and closes off further possibilities. In the societies of control, emotions and sensations of freedom and safety run counter to the original concepts. lenikosennoma.wixsite.com/filmart Based on research and fieldwork, Bea Targosz‘s sound installations provoke spatial and sonic experiences and elicit situations. Her project “By the stream, 63° 53′ 54.9″ N 19° 9’ 56.13″ W”, 2023, is a sonic exploration of possible local feedback loops between nature- and human-related processes. It is based on field recordings of a small mountain stream in Landmannalaugar, Iceland, which intensifies in the springtime when the snow cover begins to melt. She thinks of water as a still largely unexplored compound, a vivid matrix whose circulation and melting patterns are altered by human activities. She searches for sonic features that refer to human presence and activity with the use of ML-based and notch filters. beatargosz.com I-Chieh Tsai explores the alienated identities and collective experiences of Asian women in Western society, as well as the role of women in Taiwanese socio-political conditions and related gender issues through field research. She works with video, installation, 3D modelling, collage, and her own body as the medium. In the video installation “小埃<3Iris”, 2021-2022, Tsai reveals a cross-section of an industry where service providers are predominantly women in a society where everything is a commodity through the voices of female workers’ experiences and emotions. The many anonymous women of society exist as vocal avatars providing telephone services in the industry that is maintained by people who believe that moments of new love and intimacy can be purchased. ichiehtsai.tumblr.com Lisa Wintermantel develops audiovisual installations, site-specific performances, and sculptures in the landscape, observing and inventing habitats between our environment and what we know. In “I wanna carry you all on my back”, 2023, her performance shows a forest covered with the reciprocal relationships of living things between humans and other beings. The sounds of the forest mingling with the performer’s breathing, the movement of the camera as if looking at the forest through the eyes of the different beings in the forest, and the aspects of the forest captured by the camera provide the viewer with moments of immersion in an audiovisual experience of the lives there. www.youcaneatthepaper.de  Hara Shin, Curator of Your Tails on Your Heads   Live performance: I-Chieh Tsai Title: 小埃<3 Iris, Live: Join Me for a

Nina E. Schönefeld

© Nina E. Schönefeld & UTimes Location  DISKURS Berlin   Novalisstraße 7, 10115 Berlin   Duration  29.09 – 27.10.2023   German Version Below. An Antagonistic Journey Through Art Renowned artist Nina E. Schönefeld presents FUCK THE SYSTEM, a daring solo exhibition that challenges the established social, political, economic, and cultural norms and structures. Through this provocative showcase, Schönefeld embodies a spirit of rebellion, defiance, and a profound yearning for radical change. FUCK THE SYSTEM is a video installation that revives relentless and radical activism in response to our increasingly disillusioned era. In the democracies of today, the metaphorical doors may appear open, but as they begin to close, a stark realization dawns upon us—it may be too late. At the heart of this exhibition lies “The Fourth Estate” (2023, HD video), a captivating miniseries comprising four segments, each lasting 15 to 20 minutes. The series follows the journey of investigative journalist Alex Green as she immerses herself in the world of far-right politics. Nina E. Schönefeld’s exhibition serves as a powerful call to action, compelling viewers to contemplate current affairs and the imperative for transformative change. FUCK THE SYSTEM, confronts us with the urgency to break free from the confines of the status quo and advocates for a more inclusive and just society. Nina E. Schönefeld: Nina E. Schönefeld is a distinguished artist holding a Master’s in Fine Art and a scientific PhD from Berlin University (UdK). Her artistic journey has taken her from Berlin to New York and London, earning her prestigious scholarships at Central Saint Martins College and the Royal College of Art. Her diverse artistic portfolio transcends continents, encompassing mediums such as installation, concept art, light, video, and sculpture. Her work explores abrupt societal changes and the lives of individuals with unique perspectives, challenging established narratives and advocating for positive social transformation. Eine antagonistische Reise in die Kunst Die renommierte Künstlerin Nina E. Schönefeld präsentiert FUCK THE SYSTEM, eine gewagte Einzelausstellung, die die etablierten sozialen, politischen, wirtschaftlichen und kulturellen Normen und Strukturen in Frage stellt. Mit dieser provokanten Schau verkörpert Schönefeld den Geist der Rebellion, des Trotzes und der tiefen Sehnsucht nach radikalen Veränderungen. FUCK THE SYSTEM ist eine Videoinstallation, die den unerbittlichen und radikalen Aktivismus als Antwort auf unsere zunehmend desillusionierte Zeit wiederbelebt. In den Demokratien von heute scheinen die metaphorischen Türen offen zu stehen, aber wenn sie sich zu schließen beginnen, dämmert uns eine bittere Erkenntnis – es könnte zu spät sein. Das Herzstück dieser Ausstellung ist “The Fourth Estate” (2023, HD-Video), eine fesselnde Miniserie, die aus vier Teilen besteht, die jeweils 15 bis 20 Minuten dauern. Die Serie verfolgt die Reise der investigativen Journalistin Alex Green, die in die Welt der rechtsextremen Politik eintaucht. Die Ausstellung von Nina E. Schönefeld ist ein eindringlicher Aufruf zum Handeln, der die Zuschauer zum Nachdenken über das aktuelle Zeitgeschehen und die Notwendigkeit eines Wandels anregt. FUCK THE SYSTEM konfrontiert uns mit der Dringlichkeit, aus der Enge des Status quo auszubrechen und setzt sich für eine integrativere und gerechtere Gesellschaft ein. Nina E. Schönefeld: Nina E. Schönefeld ist eine angesehene Künstlerin, die einen Master in Bildender Kunst und einen wissenschaftlichen Doktortitel an der Universität der Künste Berlin (UdK) besitzt. Ihr künstlerischer Weg führte sie von Berlin nach New York und London, wo sie renommierte Stipendien am Central Saint Martins College und dem Royal College of Art erhielt. Ihr vielfältiges künstlerisches Portfolio erstreckt sich über mehrere Kontinente und umfasst Medien wie Installation, Konzeptkunst, Licht, Video und Skulptur. In ihren Arbeiten setzt sie sich mit abrupten gesellschaftlichen Veränderungen und dem Leben des Einzelnen auseinander, wobei sie etablierte Erzählungen infrage stellt und sich für einen positiven sozialen Wandel einsetzt.  For media inquiries and interviews, please contact: Jung Me Chai, Curatorinfo@discursus.info DISKURS BerlinNovalisstraße 710115 Berlinwww.discursus.infowww.facebook.com/diskursberlinwww.instagram.com/diskursberlin Share it! Facebook Email